Recchio says that “our students have a great deal of
difficulty recognizing the conflicting, though potentially enriching, claims
made on them by the modes of discourse they bring with them into the classroom
and by the new modes of discourse they encounter there” (447). Hence, he thinks
it is important to “help our students objectify them and weigh the implicit
claims of each, placing those claims in relation to explicit claims in the
reading” (447). Ultimately, he believes doing this will allow students “to
negotiate those claims as they work towards developing a consciously critical
point of view on what they read through what they write” (447). I feel that Recchio’s argument and discussion
is definitely a critical point in composition pedagogy. Because our students
harbor a wealth of experiences and perspectives, introducing them to critical
thinking and reading and academic discourse is a monumental task for
composition teachers. How can this best be achieved? In my experience, I feel
that juggling the following is necessary: close reading and discussion;
sharpening thinking through composition; shaping composition to thinking; and
peer review and feedback. I feel that what we gain is more than what we lose in
accomplishing this task. Students may find that their personal voice and
experience are less prominent in the final product, yet they have gained skills
in honing the final product while always finding a space for their personal
voice and experience.
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