I took my annotations and highlights from chapter seven
and transcribed them here. I actually
wanted to just post photos of each page and my annotations so you could see the
page and have more context to my annotations, but my writing is scrawl. I sometime couldn’t read it as I was doing
this and that was frustrating. I
frustrate myself a lot. Anyways- the bold headings are the subsections to the
chapter to help with clarity. The italics
are my comments.
Chapter 7:
Prewriting Techniques
“This is the first requirement for good writing: truth;
not the truth…but some kind of truth - a connection between the things written about, the words
used in the writing, and the author’s real experience in the world he knows
well- whether in fact or dream or imagination” – Ken Macrorie
“Prewriting” =
“Invention”
Various techniques…
“some use pictures, talk or pantomime to generate ideas…”
“As
a rule, the more time students spend on a variety of prewriting
activities, the more
successful the paper will be” -
not sure > possibly better,
possibly cluttered, and crowded or too narrow
Perception
Excercises
“Assignments involving argumentation can begin with
impromptu debates, which might then be worked into brief written dialogues and
from there into more formal kinds of discourse. Similarly, students can
translate reading assignments, pictures, or music from one medium to another,
then to a third and
finally to a written form. The assumption behind
these activities is that similar principles govern communication in various media. When students
practice the ‘language’ of
pictorial art, of gesture, and of music, they also learn principles that
reinforce their use of the spoken and written word. Furthermore, in responding to cartoons,
music, and pantomime, students become more sensitive observers of their
world” - multimodal
& multiwriting techniques à
however, difference is -always end in “written” production
**fact- reality-
necessity for equal analysis, consumption, & production
Brainstorming and
Clustering
-lists
-cluster diagrams
-diagrams
analogies for
understanding à one becomes many, and many are one—the process
of division by analysis & whole & parts, etc.
Freewriting
“Elbow recommends that students freewrite at least three
times a week. Freewritings,
he insists, should never be graded.”
à
never graded? à
but what about seen? à “leave on my desk before you leave” “you can
place your freewrites in this locked cabinet…” lol no but seriously, voluntary
basis?
“…leaving students free to let their own language take charge of the
page..ӈ
1) set ?’s 2) student made? 3) partner
made? 4) each round new kind? 5) all
Journals
“Journals… record experiences and observations meant only
to be read by their authors…” à to personal?
Risk losing audience à
abstract vs concrete
hmm.. I treat
journals as my space
“Grading
individual entries in journals is counterproductive because it discourages
provisional thinking and regular practice with writing. Journal offer students a place to write
without fear of making
mistakes or facing criticism for what they have to say”
à what am I
really asking for? Practiced writing? Or thought/idea invention?
“When I read a set of journals, occasionally I’ll come
across an entry full of obscenities. They’re meant to shock m. Generally, I
ignore them first time around…” à
NOOOOOO à comment/talk back/talk
with
free form
criticism, but also need for academic/respected support—is this going somewhere
productive or new? where next?—help me build!!!
Heuristics
-topoi
-“enthymemes on all matters”
-“heuristics prompt thinking by means of questions”
-5 “w”s
- Burke’s Pentadàexpanded 1) by student
2) by prompt 3) by…
-the “work”
- the “audience”
-summary of techniques= brainstorming, clustering,
freewriting, answering questions
-3 perspectives- particle, wave, field
-6 concepts- particle, wave, field, contrast, variation,
and distribution
Models
Artists? Stealing
like a writer? --- Bishop
“Third, in
discussing any model, the fouc should be primarily on how the writer solves
problems” à
how & what à
BUT, rather we should emphasize the RELATIONSHIP between how and what
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